The Life of ‘All My Sons’
The theater is quiet as Savvy Scopelleti says the last line of Arthur Miller’s All My Sons. And then, for a few moments, no one moves. Finally, scripts are closed, chairs are adjusted, and deep breaths are taken.
It is the first read-through rehearsal for the cast of Intrepid’s Season Five opener, and even though it is also the first time this group of actors has come together, already there is an undeniable feeling of camaraderie here.
Already, it feels like family.
Christy Yael-Cox concludes the read-through with a few parting thoughts – about Miller, about wartime, about freedom from the past. The actors adjourn, minds and hearts full of Miller’s poignant dialogue.
“This play is so important and still so relevant today,” says Christy, “which is both sad and fascinating.”
Written on the heels of World War Two, All My Sons opened on Broadway in 1947 and put Arthur Miller on the map as a legitimate voice in American theatre. Inspired by a story he heard about a young woman from the Midwest who turned in her father for manufacturing and selling defective aircraft parts to the U.S. Army, All My Sons carefully navigates the aftermath of wartime through a handful of small town neighbors discovering that soldiers are not the only ones who bear battle scars.
“We tend to romanticize the past,” says Christy of this particular post-war era. “This play tells a different story, and Miller’s ability to craft the language to tell this story is just stunning.”
Arthur Miller’s personal experiences are also palpable in the telling of this story. Even though he never served in the war (he was rejected from the Army for a medical condition), Miller wrote amply in his memoir, Timebends, of his own disconnectedness to his society while battles were raging overseas.
“I was walking through the city in wartime feeling the inevitable unease of the survivor,” he writes. “The city I knew was incoherent, yet its throttled speech seemed to implore some significance for the sacrifices that drenched the papers every day.”
Eventually, this disconnect would manifest itself into the creation of a play. He describes himself during that time as “a stretched string waiting to be plucked, waiting, as it turned out, for All My Sons.”
The reception for the Broadway opening of the play was charged. While it received a New York Drama Critics Circle Award in 1947, citing its “frank and uncompromising presentation of a timely and important theme” and Miller’s “genuine instinct for the theater,” it was also banned by the Civil Affairs Division of the American Military Government from being presented overseas. Word was that Miller was accused of trying to attack American capitalism, which was a message that could not be exported in this particular era of anti-Communist intensity.
However, Miller’s extraordinary use of language and the honest portrayal of the world he creates in All My Sons has enabled the play to survive through and past the history into which it was born. Christy sees this universalism as a touchstone for Intrepid Shakespeare Company.
“The characters are relatable and realistic because they are so deeply and humanly flawed,” she says. ”In this way, the writing reminds me of Shakespeare. Shakespeare’s themes and the humanity behind his plays are still so resonant for us. This play is the same.”
“Also, it’s funny,” she adds. “There’s a lot of humor. It’s a very human thing, that even in crisis, we can find things to laugh about. Shakespeare understood that. And so did Miller.”
— Tiffany Tang
All My Sons plays March 27-April 20 at the Clayton E. Liggett Theater on the campus of San Dieguito Academy. 800 Santa Fe Drive, Encinitas.
Tickets can be purchased here.